Tag Archives: clt drp

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CLT DRP: I Always Liked Your Mother Better (Saint Agnes remix) – new music premiere

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LOUD WOMEN is excited to bring you today the premiere of an explosive electropop collaboration between two of our new faves – the Saint Agnes remix of CLT DRP‘s ‘I Always Like Your Mother Better’. The release heralds the announcement of an exciting remix edition of CLT DRP’s album Without the Eyes, due to release 13 Nov.

Here’s what the bands had to say about each other ❤


CLT DRP supported us at a show on tour and blew us away. Kitty and I couldn’t wait to get our hands on the music and remix it. 

Saint Agnes


We knew early on that we wanted do a remix version of this album. With our sound edging in to that electronic territory it seemed like the natural thing to do. At the start of this project, if you showed us the list of bands that all came together in the end to do remixes for this album; we would have been pinching ourselves. We’re blown away with all the artists input and really excited for everyone to hear our debut album reworked.

CLT DRP 

Both bands are sparkling hot stars of Brighton’s Small Pond Recordings – a Brighton indie label serving up some very tasty fish right now (see also LibraLibra and Bitch Falcon)

interviews, premiere

CLT DRP: Worth It – new single PREMIERE + interview

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LOUD WOMEN is delighted to bring you today the premiere of Brighton superkids Clt Drp’s new single, ‘Worth It’ – out today on Small Pond Recordings.

We spoke to Annie (vocals) and Scott (guitar) – to get the scoop.

So, what’s ‘Worth It’ all about?  

Annie: The song has a lot of different themes, I think mainly it’s about learning when to speak up for yourself and also learning when to let things just be. Unfortunately I end up in limbo a lot of the time when making decisions. There’s a lot of pent up emotions in this song, and it was very cathartic to record.  

How did the song come about?

Scott: The main intro riff was something I came up with by ramping up the repeats on a DD7 delay pedal, getting it to self oscillate then putting through a slicer! It’s well fun and definitely takes our sound more into the electro world. 

Daph (drummer) absolutely nailed it with the approach on drums, she started playing some crazy stuttery kick and hi-hat beat that slipped in and around the pattern of the slicer, resulting in the whole thing feeling more intense. Where the verses were spikey and jolty it just felt natural to break into a big phat driving chorus. 

Same with Annie too, she always has a unique way of finding a hook or melody that works well with one of the parts I’ve come up with. 

This track we did with Joe Caple at Small Pond Studios! Joe had some mad ideas by keeping the drum mics set up for when we recorded guitar and vocal. It especially worked well for the vocals, kinda had this weird up close but far away feel. Basically if it sounded odd, it was in. 

We came to the conclusion that it was best to treat the guitar like a synth. Most of the signal is just DI going through some big ol’ preamps. We rarely used close mics on the guitar cab.  

Tell us about the Brighton scene right now.

Friends of ours Libralibra just seem to be getting better and better every time we see them. If you like hard, wonky pop.. check ’em out! 

What’s the 2020 plan for Clt Drp?

We got a UK Tour coming up in April and album launch on June 4th at Green Door Store (Brighton). We should have some exciting international dates to announce soon too.