review: Nervosa – ‘Agony’
by Richard Archer When I used to enjoy the thrash metal of the 1980’s, it felt like it was a…
review: Dizzyfruit (s/t)
by Richard Archer Dizzyfruit is a project of Satori Kurosawa, the bass player for London ear-bleeders Flemmings. In this self-titled…
LOUD WOMEN’s not-so secret plans for world domination in 2017
Yep, we’re taking over. The patriarchy has had his chance to run things, and he’s just made a complete dog’s…
interview: The Nyx
Interview and photos by Keira Anee, exclusively for LOUD WOMEN The Nyx are incredible. They are also known as Collette…
music review: big joanie | crooked room
by kris smith If this is an example of the material Big Joanie have been storing up in the relative…
interview: she makes war
by hannah lucy Bristol-based indie-pop artist She Makes War – aka Laura Kidd – released her third album, Direction of…
music reviews: the coathangers | nosebleed weekend
by kris smith A fifth album from The Coathangers and I’m not bored yet. I won’t do that journo thing…
introducing: petrol girls
by tim forster how did petrol girls start? Initially the band was me, Liepa and our friend May and we…
live: Slags
A little Christmas treat for those of you who didn’t make it to our 18 November gig – noone should…
interview: Kathleen Hanna
The Julie Ruin’s second album, Hit Reset, in Kathleen Hanna’s words, is about beginning again. Darker and more intimate than…