Elisa Smith embraces desire on Smut’
Leave it to Bostonian country music artist, Elisa Smith to take the steamy tropes of romance novels and turn them…
Cordyceps Corpse delivers unfiltered filth and devastation on ‘Perverse Craving For Rotting Corpses’
When Ohio multi-instrumentalist, Nani Porter first unleashed Cordyceps Corpse, the project established itself as a ruthless, single-handed force in modern…
Zilqy’s ‘Birth of Riot’ is a powerhouse debut that lives up to the hype
Post-melodic nu-metal all female four-piece, Zilqy has released their first full length studio album, Birth of Riot via Maverick DC…
Amelia & The Housewives’ self-titled debut is pure pop, zero filler
Brighton's Amelia & The Housewives delivered a crisp indie debut on their self-titled album, out now via INH Records. Romance…
Big Benny Bailey’s ‘Business Spice’ modernizes the traditional
My ancestors roamed the hills of East Tennessee; Americana, folk, and bluegrass run through my veins and yet this ain't…
TONY FOX’s ‘Holy Dancing Girls’ is unvarnished post-punk poetry
TONY FOX doesn't do polish, they do presence. On their debut album, Holy Dancing Girls, out now on Krautpop Records,…
Dropstitch unleashes post-hardcore fury and soaring hooks on ‘Giants Kingdom’
There is a distinct tension running through Dropstitch's latest single, 'Giants Kingdom.' Channeling the energy of the UK underground scene,…
EP of the month: LA HAINE’s ‘Spilling Raw’ blends abrasive Berlin hardcore with devastating emotion
In a musical landscape often crowded with over-polished production, Berlin's LA HAINE arrive like a collision in a dark alley.…
Riot Grrrl’s Not Dead Fest: joy, rage and resistance in Bridgeport, CT
I did not imagine that I would be deeply reflecting upon feminism, punk, and motherhood in a pizza parlor music…
Showing Teeth bites back with ‘A Fate Worse Than Loneliness’
Raw, visceral, and uncompromisingly direct, A Fate Worse Than Loneliness, the 7-track EP from Nashville based solo project, Showing Teeth…