Miss Eaves, TV Face, Feral Five, I, Doris, The Noise and the Naive, BbyMutha, The Shangri-Las, Rico Nasty, Argonaut, Billie Eilish, Janelle Monae, Kero Kero Bonito, GUTTFULL, Leikeli47, Le Tigre, Sisteray, Lizzo, Miss Red, Chaka Khan, SAULT, Ibibio Sound Machine, ILL, Party Fears, Sink Ya Teeth, Christine and the Queens, Neneh Cherry, Pom Poko, The Breeders, The Lovely Eggs, Velodrome, Pip Blom, GGAllan Partridge, Cid Rim, Tacocat, Mo-Dettes, X-ray Spex, The Slits, Missy Elliott, M.I.A., Ana Tijoux
Massive thanks to Abby/Doris Werth for the particularly choice selections ❤
The 2018 LOUD WOMEN album of the year is therefore shared by five artists; and if that wasn’t enough we’ve inaugurated a spanking new LOUD WOMEN People’s Vote Readers’ Choice Award chosen by LOUD WOMEN readers themselves (who are clearly better at making decisions!)
Without giving too much way at this stage let’s just say that it’s been a good year for block capitals: here goes!
With stellar gigs performed all over the London-based DIY scene that they call home and extensive radio play on shows like BBC Music Introducing, it’s been a big year for Big Joanie. The feminist punk trio have certainly ended 2018 with a bang thanks to the acclaim that’s already been given to their debut album Sistahs…By allowing their true feelings to be at the forefront of their songwriting, the band create tracks that truly empower the listener; not only to rebel but to check their own activism, to continue growing, and to do better. [Read full review here]
“An irrepressible sense of fun runs through Tits and Nails, in spite of everything its lyrics address. GUTTFULL has created a brilliant and uncompromising summation of the trials of being ‘other’ in 2018 and they’re ready to shout down their oppressors – with wit and with groove.” [Read more from this review]
They write songs which are both silly and serious, and they attack them (as well as each other) playfully. You can make a case for pretension in art, but there’s none with ILL; like so many of the best bands they seem like a gang you’d love to join, but ILL go one better and make you feel like you’d be welcome: friendly if not quite family-friendly (unless the family in question is more Addams than Partridge, perhaps). … A perfect storm of enigma, whimsy and controlled violence, and a genre-straddling state-of-the-nation address. With added bear growls. [Read more from this review]
‘Long-awaited’ might be a cliché, but in the case of LIINES‘ debut album, it’s a fitting description for a band that’s evolved steadily from fin-de-siecle Manc post-riot grrrl stalwarts Hooker: the tightest, heaviest rhythm section in DIY supports Zoe McVeigh’s emotional vocals and haiku-like songwriting, together conjuring an atmosphere of taut, claustrophobic menace like a UK postpunk time capsule. [Read more from this review]
A perfect ten tracks of no wave-disco electropop on a brilliant debut album from this Norwich duo. Described by The Guardian as “Thrillingly chilly, perfectly funky, no-wave straight out of early 80’s NYC…except that Sink Ya Teeth are a duo from Norwich. In a different era they’d have been all over TOTP” 4/5
The LOUD WOMEN People’s Vote Readers’ Choice Award:
The Menstrual Cramps is an anti-capitalist feminist band, therefore expect direct attacks on Tories, Neo-Nazis, big brands, business owners, famous idols who shouldn’t be idols anymore, and of course, “boyz-who-will-be-boyz”. The songs are so catchy that half of the album will get stuck in your head after giving one listen to the whole album. They produce music rapidly, though diligently. This rapidity actually shows itself in the guitars as fast riffs, playful strokes and abrupt small silences and it just sounds so good and steady. [Read more from this review]
The Top Twenty in full:
Big Joanie – Sistahs
The Breeders – All Nerve
Colour Me Wednesday – Counting Pennies in the Afterlife
*As voted for by members of LOUD WOMEN’s wonderful reviews and events team, including: Cassie Fox, Kris Smith, Abby Werth, Abigail Brady, Vicki Thompson, Hannah Kessler, Marissa Schlussel, Stacy Norman, Charley Stone, Kitty Fedorec, Sarah Lay, Phil Whaite, Gemma Gompertz, Alex Sarll, Jess McPhee, Tegan Christmas, Richard Archer, Jenny Bunn, Keira Cullinane, Hannah Wright. Thank you all for your time! x
Julie Hawk, front woman of Hawk, has created a beautiful multimedia project called ‘Female Fronted, Drawn Together’. This is very much LOUD WOMEN’s cup of tea! A playlist of inspirational female musicians, past and present, with an illustration to accompany each song. Julie has kindly written a piece exclusively for LOUD WOMEN explaining her work on the project.
I don’t know where I’d be without the musical women who have influenced me. I started Female Fronted, Drawn Together as a project that combines music and illustration in a way that celebrates this; that allows me to share their music and give a little back to say thank you.
There wasn’t really a plan at first in terms of what I would base each drawing on. But I think that’s led to a really organic and personal process of pin-pointing where my feelings lie, because each artist has affected my life in a totally different way. Some of these women I admire for their message or for their musical creativity. Some of them have given me unforgettable live experiences. And some of them I associate with significant memories, whether happy or sad – the right place at the right time.
I don’t think believe that anyone hears the same piece of music in the same way. Each connection that an artist makes with a listener is unique and complex. On top of this, female fronted music is so often lumped together as a single genre in a way that doesn’t acknowledge the diverse voices and talent and ideas that each woman brings to the table. I feel like in many ways, girls grow up to feel competitive to one another, but there’s been an amazing and positive backlash against this in music lately. I’m seeing so many girlbands looking out for each other and starting up amazing collectives together. I wanted Female Fronted Drawn Together to be a little contribution to this movement, and a space through which I could thank each of these women and just share a little love.