Tag Archives: ex people

LOUD WOMEN ‘Her’cury Music prize Shortlist announced

For this – the very first LOUD WOMEN ‘Her’cury Music Award – we’ve honoured most of the criteria of our rival, the so-called “Mercury” prize: that is, albums by British-based musicians released between 30th July 2016 and 21st July 2017 (sorry to Deux Furieuses and Crumbs, respectively).

With TWO differences: our ‘Her’cury prize doesn’t care about record formats or industry distribution, and these artists are all LOUD, all female-fronted or female-driven, or just plain all-female. From a pool of thirty options, our scientific poll of the LOUD WOMEN Team has produced this shortlist of 12, given below in alphabetical order.The winner of the ‘Her’cury Music Award will be announced at lunchtime on Thursday 14 September.

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al Crimes – ‘Ceramic Cat Traces

Swansong album from Kirsty (Cat Apostrophe) Fife, Aaron Batley and Ruth Mair. Tense post-hardcore melodies in the music and subtle political undertones in the words, topped with the prolific perzine-ster’s borderline-breakdown vocals.

 

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Desperate Journalist – ‘Grow Up’

Second album from the runaway success story of the London indie scene, pushing all your Britpop/postpunk/pop-goth/80s-indie buttons at once. Soaring vocals, chiming guitars, proper songs and all’s right/wrong with the world.

 

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The Empty Page – ‘Unfolding’


Powerful debut from female-fronted Manc pop-grunge alt-rockers, who contributed key track ‘Deeply Unlovable’ to LOUD WOMEN’s debut compilation album. 

 

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Honeyblood – ‘Babes Never Die’

Brilliant hook-laden grunge pop from this Glasgow duo, with every song a winner; proving that the ‘difficult second album’ is just a problem for other people.

51s5ccRZ0dL._SS500The Menstrual Cramps – ‘We’re Not Ovaryacting’

The Menstruals (well, we can’t really nickname them ‘The Cramps’) hit the ground running earlier this year with this impressive digital debut and a ridiculously-confident live debut on International Womens’ Day for Who Runs the World/LOUD WOMEN.

Nolay-1Nolay – ‘This Woman’

Latest album from the Unorthodox Daughter, and impossible to number because so many of Nolay’s releases have been mixtapes straight from the underground. No pop-grime crossover, no compromise, and no holds barred. Nolay’s definitive feminist statement.

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Oh! Gunquit – ‘Lightning Likes Me’

Second album from criminally-underrated, slightly-uncategorisable (although we’re about to have a go), new-wave surf-garage trash-punks!

 

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Pet Crow – A Simple Guide to Small and Medium Pond Life

Impressively-tuneful debut album from Derby male/female 4-piece, released on vinyl by LIINES’ label Reckless Yes. Dancey, surfy, garagey indie punk fronted by Danielle Cotterill’s powerful vocals.
https://petcrow.bandcamp.com/releases

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Petrol Girls – ‘Talk of Violence’

Debut full-length release from probably the most powerful feminist band in the UK, known to leave audiences genuinely shocked-and-awed with a combination of rock hooks, hardcore assault and uncompromising lyrics. One of two shortlisted bands with a track on the LOUD WOMEN Volume One compilation album.

resizeSacred Paws – ‘Strike a Match’

Definitive musical statement from Rachel Aggs (Trash Kit, Golden Grrrls, Covergirl, Shopping) – possibly the UK’s greatest guitarist – combining what used to be called ‘world music’ with Postcard Records-esque post-punk funk. Scottish Album of the Year, and now LOUD WOMEN ‘Her’cury shortlist!

a4192287913_16The Tuts – ‘Update Your Brain’ 

Widely-acclaimed and long-awaited debut from one of the hardest-working DIY bands in the business, released a decade after they first formed at school. Standout newer tracks ‘Con Man’ and ‘1982’ bring the best punk-pop hooks and ‘Give Us Something Worth Voting For’ delivers the clearest message.

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The Wharves – ‘Electa’

Second album from this all-female melodic post-everything powerhouse follows 2014’s ‘At Bay’, showcasing more of their tightly rhythmic and skilfully harmonic repertoire. https://gringorecords.bandcamp.com/album/electa

 

Runners up

¡Ay Carmela! – ‘Working Weeks’
Bamboo – ‘Live at Café Oto’
Deerful – ‘Peach’
Ex People – ‘Bird’
The Franklys – ‘Are You Listening?’
Feature – ‘Banishing Ritual’
Hands Off Gretel – ‘Burn the Beauty Queen’
Kamikaze Girls – ‘Seafoam’
Little Simz – ‘Stillness in Wonderland’

Grace Petrie – ‘Heart First Aid Kit’

Porridge Radio – ‘Rice, Pasta and Other Fillers’
Rattle – ‘Rattle’
Ravioli Me Away – ‘Living is a Myth’
Skinny Girl Diet – ‘Heavyflow’
Slowcoaches – ‘Nothing Gives’
Teen Canteen – ‘Say It All With a Kiss’
Kate Tempest – ‘Let Them Eat Chaos’
Young Romance – ‘Another’s Blood’

 

The winner will be announced at lunchtime on Thursday 14 September.
All enquiries to loudwomenclub@gmail.com

www.loudwomen.org 

 

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7 things girls in bands need to know

Whether you’re the lead singer in a militant feminist punk group, or play second fiddle in a folk collective, female musicians all need a helping hand from their sisters if they want to get ahead in the big boys’ club that is the music industry.

We at LOUD WOMEN Club know this all too well, which is why we’ve asked some of the bands who have played for us to share their top tips for being a girl in a band.

1 Ren Aldridge, vocalist in Petrol Girls

My top tip for women getting involved in music is that it’s ok to suck. Seriously, there are plenty of men who play music that suck, and they are allowed to suck and it have nothing to do with their gender. It takes time to get good at what you do. So suck for a bit, and enjoy it. You’ll get better without even realising.

2 Charley Stone, guitarist with MX Tyrants

Here’s a technical tip for soundchecks: often when you’re having problems hearing things on stage, the sound tech (often a guy) will shrug and tell you ‘it will sound better when there’s people in the room’. To an extent they’re right – but that’s not much help when you’re trying to get a balance onstage so that you can all hear what you’re doing. So when that happens, ask them to switch off the front of house PA so you can play a song or a bit of a song with just the monitors on, and see if you can hear yourselves then. That’s my tip from the top! It’s one of the things I wish I’d known when I started out, anyway.

3 Laura Kirsop, singer in Ex People

Don’t be scared to say no. In my old bands, stylists wanted me to wear things I would never normally wear and I was too scared to put my foot down. As a result I was uncomfortable and gave a worse performance. Just say no!

4 Hannah, singer in GAYR

“Don’t do yourself down until you’ve given everyone else the chance first!” That observation was from another female performer and it really resonated with me. I had, and still have, to get out of my own way, as a performer, writer or really anything else! My advice would be, just have a go. There’s no magic formula or god-given talent or right involved. Hook yourself up with some enthusiastic and supportive people and do some work. Put on a wicked outfit, or don’t, and have a ball.  If you think you’ll love it, you probably will.

5 Cassie Fox, bassist in The Wimmins’ Institute

When you’re a new band, you’ve got to shout from the rooftops about how awesome you are. Blow your own trumpet – no one’s going to do it for you! Bigging up yourself goes against everything we were taught as little girls about being ‘ladylike’. Which makes it doubly important that the next generation of little girls see us smashing that toxic stereotyping to bits. Be bold and confident (or, at least, feign confidence for long enough for it to start to feel natural!)

6 Becky Baldwin, bassist in IDestroy

Know when to stand up for yourself, ask questions and prove yourself. Online trolls can be ignored, but certain people in the industry can and will help you if you can calmly but fairly show why they are in the wrong. Most people don’t know they’re being sexist, and although it’s unfair that we need to work extra hard to prove we belong here, I think it’s the best way to push the industry forward. Use your knowledge and be proud!

7 Lilith Ai, singer songwriter

Kill with kindness. Nobody is perfect. Making music is hard and it’s scary sometimes, showing all when you’re on stage or people are checking out your MP3s. So don’t diss your fellow artists, befriend them. They’ll be your greatest allies.

18 Nov 2016: Phoenix Chroi | Thunder on the Left | Lilith’s Army | Ex People

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A night of top notch badass woman-led RAWKsome, at the legendary Hope and Anchor, Islington.

 
PHOENIX CHROI
 
THUNDER ON THE LEFT
 
LILITH’S ARMY
 
EX PEOPLE
 
Doors 8 pm
 
£5 entry
 
All welcome!
 
LOUD WOMEN is a DIY collective that champions women in music by hosting live events that are fun, friendly, and frickin awesome.
 
All profits go to the artists, and any additional funds raised go to charities that help women (usually Women’s Aid).
 
Join the group LOUD WOMEN for news of more women-led events