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LOUD WOMEN announces the 2018 HERcury Prize shortlist

LOUD WOMEN’s 2018 HERcury prize shortlist is a bakers’ dozen (whittled down from 30) of albums released between July 2017 and July 2018 by British-based, (self-identified) female, female-fronted and female-driven bands. Votes cast by Team LOUD WOMEN. Not much crossover here, you’ll notice, with lesser, so-called music prizes.
Winner to be announced 21 September via Facebook Live!

Without further ado, our shortlist, in alphabetical order:

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1) Argonaut – Argonaut Forever (November 2017)

“Raw and fragile and urgent in all the best ways,” to quote Loud Women’s review; Argonaut’s third album presented last year’s new material and revisited key tracks from their first two albums, serving as a liminal release before the unveiling of their revamped band line-up for 2018.

2) Bratakus – Target Grrrl (August 2017)

Probably the best Scottish sibling bass ‘n’ drum grunge album since, well, The Twistettes’ LP the year before, Bratakus are just one of many Caledonian bands rocking Loud Women’s world right now. Short sharp punk soundbites and catchy-as-hell chant-a-longs on this well-received debut, like a charmingly-gnarly hybrid of The Exploited and The Distillers.

3) Chvrches – Love is Dead (May 2018)

No inverse snobbery around these parts: Chvrches’ third Top 10 album has one firm foot in 21st Century stadium pop and the other in 80s electro, and Loud Women love it like we love our Taylor Swift and Yazoo albums. Lyrics like ‘Graves’ hint at political bite beneath the glossy perfect-pop sheen.

4) Crumbs – Mind Yr Manners (July 2017)

Debut album from this Leeds-based ‘funk post-punk disco pop party pack’ fourpiece. They’ve got the stripped-down, melodic tunes, they’ve got the best song titles (‘Stockport Syndrome’, ‘Ciggy Stardust’) and they’ve got a place in the 2018 Loud Women Fest line-up!

Surely in itself reason enough to get tickets.

5) Dream Wife – Dream Wife (January 2018)

Much-loved, tune-packed debut from this Brighton-based pop-punk trio. Unmistakably Icelandic vocals atop an irresistible noughties-new wave sound that recalls the likes of CSS and New Young Pony Club.

6) Goat Girl – Goat Girl (April 2018)

A deserved Top 30 chart placing rewarded Goat Girl’s eponymous debut, an unexpected delight of an album from a young, all-female group sounding wise beyond their years and uncategorisable to the genre-fixated. The band traverses a range of moods across 19 song-sketches held together by a deceptively lazy-hazy vocal. Did that song really recommend several methods for literally executing the Tory government? Yes. Yes it did.

7) ILL – We Are ILL (May 2018)

“A perfect storm of enigma, whimsy and controlled violence,” according to our reviewer, ILL’s debut album has only been blowing minds for two months, yet already feels somehow like it’s always existed. A genre-straddling state-of-the-nation address, with added bear growls.

8) LIINES – Stop-Start (May 2018)

‘Long-awaited’ might be a cliche, but in the case of LIINES‘ debut album, it’s a fitting description for a band that’s evolved steadily from fin-de-siecle Manc post-riot grrrl stalwarts Hooker. The tightest, heaviest rhythm section in DIY supports Zoe McVeigh’s emotional vocals and haiku-like songwriting, together conjuring an atmosphere of taut, claustrophobic menace like a UK postpunk time capsule.

9) Nervous Twitch – I Won’t Hide (November 2017)

“Catchy lo-fi garage pop” says our reviewer, and it’s the third album in only as many years from this DIY Leeds trio. One of three albums in the shortlist from Cardiff’s Odd Box Records, Nervous Twitch present 14 tracks of surfy guitar and Headcoatees-esque vocals, with a 60s girl group influence.

10) Rainbow Reservoir – Channel Hanna (February 2018)

Perfect indie-punk-power-pop with clear riot grrrl influences from this Oxford trio, fronted by Connecticut native Angela Space. The title track tells you everything you need to know, but there’s not a bad song on Rainbow Reservoir’s varied and entertaining debut.

11) Shopping – The Official Body (January 2018)

DIY queercore supergroup-success-story Shopping show no signs of running out of credit (yeah we went there) on their third album in five years. With Edwyn Collins back in the producers’ chair, the pace is faster, the bass is heavier, Rachel Aggs’ vocals have a newly-won confidence and their ability to paint propulsive-yet-plaintive pictures (ref. ‘Asking for a Friend’) is in full effect.

12) Sink Ya Teeth – Sink Ya Teeth (June 2018)

A perfect ten tracks of no wave-disco electropop on the brilliant debut album from this Norwich duo. And omg that *is* Gemma from KaitO!

13) Suggested Friends – Suggested Friends (November 2017)

Soundbites like “instantly catchy guitar work”, “strong singalong chorus” and “lush harmonies” litter our review of this self-titled debut from Suggested Friends. Something of a supergroup featuring members of Standard Fare, Chorusgirl and Wolf Girl, the band brings some of the sensibilities of those groups to this record, mixed with 80s/90s influences and an epic quality unusual for the DIY indiepop scene.

Runners-Up

Brix & the Extricated – Part 2
Charismatic Megafauna – Semi-Regular
Colour Me Wednesday – Counting Pennies in the Afterlife
Days Fade, Nights Grow – Amelioration
The Duke Spirit – Sky is Mine
DuckFaceache
Gwenno – Le Kov
Kate Nash – Yesterday is Forever
The Kut – Valley of Thorns
Ramonas – First World Problems
REWSPyro
Runt – Positions of Power
The Selecter – Daylight
Nadine Shah – Holiday Destination
Table Scraps – Autonomy
Wolf Alice – Visions of a Life
You Want Fox – Reverse the Curse

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The LOUD WOMEN Fest 3 line-up revealed!

This year’s final line-up for LOUD WOMEN Fest has just been announced, and now includes worldclass artists She Makes War and Efa Supertramp! Here’s a taster of how it’s going to look …

This, the 3rd annual LOUD WOMEN Fest will showcase 21 punk and indie acts in 1 day, over 2 neighbouring stages – The Dome and the Boston Music Room, Tufnell Park, London. Last year’s festival massively sold out, so early ticket-buying is advised!

Here’s the final line-up:
Petrol Girls
She Makes War
Zand
The Franklys
Grace Savage
DREAM NAILS
You Want Fox
The Twistettes
PUSSYLIQUOR
Ms. Mohammed
Crumbs
Sister Ghost
The Menstrual Cramps
Wolf Girl
SAM AMANT MUSIC PAGE
GUTTFULL
The Baby Seals
Efa Supertramp
Art Trip and the Static Sound
Drunken Butterfly
Jemma Freeman and The Cosmic Something

Plus DJs including Mammory Tapes AND cake stall from Ladies of the Lock – The WI group for Camden, Kentish Town…

This year, we’re taking over The Dome, Tufnell Park and Boston Music Room. Using these two amazing, world-class neighbouring venues we can keep the music constant throughout the day, and make our Fest bigger and better than ever!

Expect:
* Delicious hot food and cakes.
* Stalls with zines and goodies.
* The best damn day/night out of the year.

Applications from stallholders and zine sellers, other kinds of performers that we haven’t even thought of yet, and any other enquiries to loudwomenclub@gmail.com

Tickets £15 in advance from https://www.wegottickets.com/event/42…
£20 on the door £10 NUS / JSA / over 60s

Fest_July_a4

Petrol Girls, You Want Fox, Drunken Butterfly and more added to LOUD WOMEN Fest 3 line-up!

LOUD WOMEN Fest is back in 2018 – bigger and louder than ever! Building on the massive success of our last two Festivals, we’re expanding to two much larger venues: The Dome, Tufnell Park, and Boston Music Room

Line-up so far:

Petrol Girls
Zand
The Franklys
Grace Savage
DREAM NAILS
You Want Fox
The Twistettes
PUSSYLIQUOR
Ms. Mohammed
Crumbs
Sister Ghost
The Menstrual Cramps
Wolf Girl
SAM AMANT MUSIC PAGE
GUTTFULL
The Baby Seals
Art Trip and the Static Sound
Drunken Butterfly
Jemma Freeman and The Cosmic Something

Plus DJs including Mammory Tapes and more bands TBA – watch this space!

Stalls, zines, food, AND cake stall from Ladies of the Lock – The WI group for Camden, Kentish Town & Tufnell Park

Tickets £15 in advance from https://www.wegottickets.com/event/427259
£20 on the door
£10 NUS / JSA / over 60s

This year, we’re taking over The Dome, Tufnell Park and Boston Music Room. Using these two amazing, world-class neighbouring venues we can keep the music constant throughout the day, and make our Fest bigger and better than ever!

Expect:
* Delicious hot food and cakes.

* Stalls with zines and goodies.

* The best damn day/night out of the year.

Applications from stallholders and zine sellers, other kinds of performers that we haven’t even thought of yet, and any other enquiries to loudwomenclub@gmail.com

Tickets £15 in advance from https://www.wegottickets.com/event/427259
£20 on the door
£10 NUS / JSA / over 60s

 

 

Line-up for the third LOUD WOMEN Fest announced!

Here’s the news we’ve been dying to tell you … we can finally announce the first of the acts confirmed to play this year’s LOUD WOMEN Fest on 15 Sept at The Dome and Boston Music Room. Drumroll please!

ZAND
Outspoken non-binary alt popstar from Blackpool.

The Franklys
Swedish-British indie-rock. “In-your-face and awesome” – DIVA.

Grace Savage
4 x UK Beatbox Champion.

Jesus & his Judgemental Father
Queer punx from Leeds.

The Twistettes
Scottish sister duo: “DIY, punk, riot grrrl, real-deal indie with a touch of psychobilly”.

Pussyliquor
All girl punk band from Brighton. “Pure uncensored female rage.”

Crumbs
A post-punk pop party pack from Yorkshire.

Ms. Mohammed
“Powerful, Feminist, Brilliant, Goddess-like with raging guitars & tribal drums!” – BBC Asian Network
GET YOUR £15 TICKET NOW!

Sister Ghost
Noisy, spectral art-rock with a pop heart.

The Menstrual Cramps
The band that made Oi cry! Winners of the 2017 LOUD WOMEN Hercury Prize.

WOLF GIRL
Noisy pop four-piece based in South London who write about sexuality, gender and anxiety.

Sam Amant
Brilliant, bold, controversial, French one-woman hurricane.

The Baby Seals
Our favourite empowerpop trio from Cambridge.

Art Trip & the Static Sound
Stunning London powerpunx led by the famazing Melodie Holliday.

Jemma Freeman & the Cosmic Something
Expect high energy performances and compositions of cosmic content.

PLUS DJs including MAMMORY TAPES and more bands TBA!

Keep an eye on your inbox for a full ezine coming soon, with news of a whole heap of new regular gigs at the Hope & Anchor. In the meantime, if you want to get in touch drop us a line on loudwomenclub@gmail.com, like our FB page or join our FB group.

Crumbs: ‘Mind Yr Manners’

a4263043354_16review by Gilan from Brosephine

Crumbs: ‘Mind Yr Manners’
DL/Vinyl from Bandcamp
Mind Yr Manners – LP review

With a thump and a “ONE! TWO! THREE! FOUR!” Crumbs clearly wanted to start this LP off with a bang! It’s great when a piece of work has instant vigour about it! “You want to take me out to party?” questions a voice in the opening track ‘Weasels can wait’. Yes I do!

Picture1Crumbs are a four-piece post-pop party outfit based in Leeds/York who apparently like pets and puns. I can’t speak for the animals, but their enjoyment of wordplay can be heard in their release ‘Mind Yr Manners’, with well-placed alliteration, metaphors and a very enjoyable juxtaposition of intent between the verses in each song. It seems like each song starts off on one train of thought and by the end, it becomes very apparent that the opposite is true.  I don’t need you, or maybe I do, but I can’t tell you!

With pounding drums, and a wonderful combination of dissonance and distortion, the band manages to capture a mood somewhere between the edge of anxiety and being up and ready for a fight. There is almost a pleading sound in the lead vocals, despite it clearly being a force not to be messed with there is a nice occasional wavering tone to it. It is slightly reminiscent of Melissa Auf der Maur’s work – if she had listened to much more punk.
‘Mind Yr Manners’ is a bouncy, punchy LP packed with enough energy to force your body into get-up-and-go mode!

Listening recommendations: alone when you want to dance around the house.
Alternatively, stick this on at your next available house party!

Find Crumbs on Bandcamp, Twitter and Facebook

LOUD WOMEN’s top 20 tracks of the year

by Kris Smith, LOUD WOMEN’s Music Editor

LOUD WOMEN YouTube playlist here

  1. Petrol Girls – Touch Me Again 
  2. The Tuts – Con Man  
  3. Slotface – Sponge State  
  4. Witching Waves – The Threat
  5. Crumbs – On Tiptoes 
  6. Actual Crimes – I Don’t Want To See  
  7. Fight Rosa Fight – This Scene, This Scene
  8. Colour Me Wednesday – In Your Shoes  
  9. Dream Nails – Bully Girl  
  10. Big Joanie – Crooked Room  
  11. Molar – Javier
  12. Charla Fantasma – Late For Work
  13. No Ditching – Emo  
  14. Dolls – Audrey  
  15. Muertos – Ballroom Spritzer  
  16. Good Throb – The Queen Sucks Nazi Cock  
  17. NOTS – Entertain me 
  18. LIINES – Disappear  
  19. Los Cripis – Restaurant  
  20. Prime Time – Fallen Out

record reviews  by kris smith

Deux Furieuses – Tracks of Wire LP (May, 2016)
This is an album that probably can’t be done justice without a dissertation in place of this short review. I had the pleasure of seeing Deux Furieuses live in London recently and it was, from the off, a scathing punk/rock assault on the senses and a further reminder of just how much more of an impact two focused, talented musicians can have on stage compared to your average-sized band merely treading water (Young Romance reminded me again of this even more recently). This album delivers the same impact as the live set, while broadening the atmosphere with slower, more atmospheric songs providing balance/contrast. ‘Tracks of Wire’ shouldn’t fail to be seen (along with the upcoming Petrol Girls debut) as one of the most important albums of 2016 and you should seek it out immediately if you haven’t already; you might find it filed under Uneasy Listening.

Ros and Vas used to Rock Like Girls Don’t, of course, back in the comparatively innocent days (everything’s relative) of the mid-to-late 2000s, and their 2009 album ‘How Did It Get To This’ was a brilliant series of tuneful short-sharp-shocks, not a million miles from their current sound. The difference is that whereas that album had song titles like ‘Queen of Heavy Metal’ and ‘I Just Wanna Stick My Head in the Bass Drum’, Deux Furieuses’ debut album leaves all that stuff behind and turns to reportage, with songs addressing global crises, the war on women, refugees, and political struggle. PJ Harvey could be a touchstone musically, or possibly post-punks like the Pop Group, but frankly the band could well have just been watching the sky over the last few years, and coming to their own sound conclusions. ‘Are We Sexy Enough?’ sounds like an exception, a title harkening back to the band’s previous incarnation; instead it addresses rape culture. The final track ‘From Fear to Fury’ manages to suggest a serious message without any words at all.

A record like this will bring listeners few traditional showbiz thrills. But, in addition to delivering a skilful display of rock technique, it dares them to question – as bands like Gang of Four aimed to – the nature of entertainment, the purpose of culture, the limits of awareness. And in doing so it achieves more than most, and secures itself a serious legacy. In simpler terms, this is by turns an angry, heartfelt and affecting alternative rock album, and highly recommended.


Good Throb – S/T EP (July, 2016)
One of the best vocalists (‘KY Ellie’) in UK hardcore, a guitarist (writer/activist Bryony Beynon) in a Huggy Bear t-shirt, a drummer who looks like a young Ian Svenonius, the singer of Frau on bass, and a series of brilliantly-primitive slightly-unhinged rants that come on like a cross between Warsaw (pre-Joy Division), Rudimentary Peni and something from early-80s Bristol label Riot City records: Good Throb truly have everything. Their third EP came out in the summer and includes the track ‘The Queen Sucks Nazi Cock’, which is also literally true.


Peach Club – The Bitch Diaries EP (April, 2016)

It’s been a few years since we heard the sound of what I persist in calling ‘Norwich grrrlcore’, since the dissolution of bands like Fever Fever, the BrowniesBrothersBearsuitKabeediesViolet Violet (plus a bit further back, Kaito) – and in the absence of any recordings yet by Graceland; in the meantime Peach Club have arrived. Song titles like ‘Go Away’, ‘I’m a Bitch’ and ‘My Best Friend’ give a clue to their youth, but this is a group that already has a great early-Bikini Kill-esque sound, a powerful vocalist, political awareness and great potential. Already planning a series of follow-up singles on local label Witchgirl, expect an impressive album from Peach Club within the next few years.


LIINES – Disappear / Be Here single (Oct, 2016)

A brand new release from LIINES, and more pulverising post-punk for the people. While Zoe‘s vocals here are typically passionate and powerful, the LIINES rhythm section too can’t help but conjure up thoughts of Killing Joke and Joy Division, which is no bad thing and certainly confirms the band in a unique musical position on the DIY scene. JD-esque rhythms were borrowed by a few high-profile US bands during the peak post-punk revival, of course, but you could see this as a UK band reclaiming their local legacy. It’s as valid an audio reference as three-chord-trick guitar or Motown-style wall of sound, after all – it’s what you do with these things that matters .What LIINES do with it – as anyone who’s seen them live or heard their last single or promo EP will know, is push the aural point home with a series of pile-driving riffs almost akin to a krautrock/hard rock fusion in their repetitive, controlled frenzy – but always with a song on top.

Eagle-eyed DIY music trivia buffs may notice that the single cover was inspired by artwork by Debbie Sharp, formerly of second-wave uk riot grrrls Valerie, who LIINES played with back when Zoe & Steph were known as [hooker]. Debbie later played in Womb, an arts/music collective who released no records (as far as I know) but did begat ILL, the other block-capital manc-postpunk grrrl-band sensation de nos jours. It’s a small world – and the mood of this single is suitably claustrophobic with it. Roll on the debut album.


Crumbs – Demo EP (May, 2016)

This was an unexpected delight. Unexpected, because with the sheer amount of new cross-fertilised DIY band combinations seemingly being born every week it gets increasingly hard to keep up with it all – there are worse problems to have, of course – and easier to miss stuff,  as I did with this. The just-do-it principle is worth shouting about but inevitably not everything the scene produces is; no such worries with Crumbs, though, whose demo, particularly on tracks “Tiptoes” and “Trapped in a Haircut”, shows exceptional grasp of what a little attention to dynamics and pace can achieve, even with the simplest of rhythmic elements in operation. It doesn’t hurt that vocalist Ruth has one of those voices (see also Emma from Witching Waves) you just want to hear more from, or that there’s an epic early-punk guitar sound going on in the background that pulls my Proustian levers (disclaimer: I have never read Proust) with thoughts of Swell Maps and Siouxie and the Banshees. Maximum Rocknroll have already given this EP a very thorough review, comparing Crumbs to every band Slampt Records put out in the 90s, so I won’t repeat all that here and will instead just say get this record –  for the music, or, if you don’t like music, there are puns to enjoy, like ‘Chaka Can’t’ and ‘Stockport Syndome’. And as we know, puns not dead.


Fight Rosa Fight!/Little Fists – Split EP (Aug, 2016)

A third release for Fight Rosa Fight, and a second for Little Fists, combined – this self-released EP shows both groups at their best. Always a band-to-watch for their DIY riotgrrrl charm, FRF have become an increasingly powerful live act, and that confidence translates into tight, impressive playing here. Unlike some altrockers who promote a vaguely-radical image in the press to appear more interesting, FRF put intelligent, educated thought into making specific and valued political statements in their songwriting (see also: Dream Nails/Petrol Girls), combined with a knack for writing tuneful low-fi pop-punk gems. Little Fists compliment with a more emotional aesthetic and an affecting sound they dub “sadcore”, with what seems like more of an emphasis this time on shared vocals meaning we hear more lovely yelps from Vanessa and Sophie in between Ste’s trademark growls. A band that brings the noise, and fills a room with energy *and* people (always handy, that), Little Fists definitely, as a journalist might say, pack a punch. I would never say something like that, but they totally do anyway. Get the EP, already, it’s great.


The Tuts – Update Your Brain LP (Sept, 2016)

What’s left to say about The Tuts, on the advent of their long-awaited debut album?

In Marcus Gray’s systematic dissection of The Clash, ‘Last Gang in Town’, he calls The Clash’s tendency to write songs about the travails of being in The Clash “Mott the Hoople syndrome” after an earlier band with an equivalent habit. Synchronicitously – seeing as how the Clash are one of the few Ye Olde bands they admit as an influence via their ‘Rudie Can’t Fail’ cover – The Tuts continue that tradition, and the fact is that many of their best songs are about The Tuts and their own (mis)adventures in music, ’Tut Tut Tut’ being merely the most obvious example (I’ll confess something here: I prefer the original single recording – but that’s the nearest thing to a criticism I have of this album).

‘1982’ is a case in point, a brilliantly-written second single from the LP (after ‘Let Go of the Past’) about some stupid stuff their ex-manager said and how they don’t really need one anyway, thank you. Like so much of this album, if the tune doesn’t get you, the vocal harmonies will – and on top of it all, that this band can be so smart, funny and self-aware; well what more do you want from pop music? This is as good as it gets. This is it, the real deal.

I say “pop music” advisedly, because while the Tuts style – like their sister band Colour Me Wednesday – remains unlikely to win over the hardcore underground (too sing-y, too girl-next-door), instead they’ve long had the girl-gang sass to appeal to a genuinely young female indie-rock audience, they’ve got the hooks (much like Wolf Girl do, or Personal Best) for the indiepop crowd, and they play their songs with an in-your-face rock ‘n’ roll élan which brings the punks to the yard without ever skirting close to the ‘rawk’ fakery that risks ruining so many grunge-type grrrl groups – because despite those inevitable comparisons to The Slits, The Tuts actually bypass the whole history of post-punk to deliver the clean guitar lines, melodies, impact and solid production (and this album is very well produced indeed) of first/second wave punks like the Undertones and X Ray Spex. (Which is why you see those older blokes at Tuts gigs: they haven’t seen or heard the like for *years*.)

I say “pop music” because there’s a Robyn-esque chord change in the chorus to ‘Con Man’ which brought me to the verge of tears with its sheer perfection. There’s an emotional vulnerability in Nadia’s voice here too which belies the band’s miscontrued mock-boisterous image – as does the presence of acoustic track ‘You’re So Boring’, and the self-deprecating bad-relationship stories in the album lyrics.

I say “pop music” because alongside the DIY ethics and common-sense left-wing politics (‘Give Us Something Worth Voting For’) is a pure pop ambition to reach as many people as they can, crossing any scene boundaries, a complete lack of anything approaching artistic snobbery, as well as an aesthetic (style/artwork/videos) that both celebrates and détournes the mass-market teen/tween girlhood sold in magazines and TV shows, and an approach to performance that echoes showbiz traditions you can trace back to music hall and beyond. Check out the video to ‘Dump Your Boyfriend’ from a few years ago: it starts with the band trying to find their way on stage, but one Tut gets lost in the stage curtain and the others have to pull her through; it’s a moment of pure Morecambe and Wise charm that I’m doubtful anyone else in the DIY music scene would even have thought of, let alone be able to pull off.

It’s those results and that attention to detail, not merely the hard effort they put into self-management or performance energy, for which The Tuts deserve to be rewarded. And if all you need after all is a dozen tracks of skilful indiepowerpoppunkrock to nod your head to, well that’s a given. Without any doubt, ‘Update Your Brain’ is one of the key albums of the year.


Other releases

Almost too much new music to mention this year, but look out for these, not yet reviewed in the ezine, 2016 releases:

Actual Crimes – Ceramic Cat Traces (farewell album); Lilith Ai – Riot (EP); As Ondas – Mares (debut album); Ay Carmela – Working Weeks (debut album); Baby in Vain – For the Kids (EP); Bamboo – Hexagonal (digi-single) and Live at Cafe Oto (second album);Bleached – Welcome the Worms (second album); Bratakus – Gigantopithecus (debut EP); Cat Apostrophe – Gut Songs (debut EP); Charmpit – Snorkel (debut EP); Charla Fantasma – No Excuses, Baby! (second EP); Cracked Up – Room 201(6) (EP); Deap Vally – Femejism (second LP); Empty Page – Unfolding (debut LP); Es – Object Relations (debut EP); Evans the Death – Vanilla (third album); Ex People – Live at the Unicorn (EP); Foxcunt – Phone in Sick (digi-single); The Franklys – Come Down 7″; Los Cripis – Restaurant (EP); GAYR – Greatest Hits (debut digi-single); Hinds – Leave Me Alone (debut album); Hoopdriver – s/t (EP); IDestroy – Vanity Loves Me (debut EP); Julie Ruin – Hit Reset (second album); Las Kellies – Friends and Lovers (fifth album); The Kills – Ash and Ice (fifth album); Kitten Snot – Womb Clumps (debut EP); Maid of Ace – Maid in England (second album); M.I.A. – AIM (fifth album); Molar – [Split EP w/Pale Kids]; Muertos – Black Box (digi-single); Nervous Twitch  – Don’t Take My TV (second LP); Neurotic Fiction – Demo (EP); No Ditching – [Split EP w/Baby Ghosts]; NOTS – Cosmetic (second album); Nova Twins – s/t (debut EP); Otoboke Beaver – Bakuro Book (EP); Personal Best – I Go Quiet 7″; The Potentials – We Are the Potentials (second EP); Primetime – Going Places (second EP); Quaaludes – Rejects (EP) & Are the Winners Always Losers (EP); Rattle – I Own You (debut album); Savages – Adore Life (second album); September Girls – Age of Indignation (second album); Sex Stains – s/t (debut album); She Makes War – Direction of Travel (third album); The Shondes – Brighton (fifth album); Shonen Knife – Adventure (LP), Skating Polly – The Big Fit (fourth album); Skinny Girl Diet – Heavyflow (debut album); Betty Steeles – Where I Be (EP) & Flow Flow Flow (EP); Tacocat – Lost Time (third album); TeenCanteen – Say it All With a Kiss (debut album); Towel – Wipe Me Dry (debut EP); Tuffragettes – [three undated EPs – see Bandcamp]; Twink Caplan – Practice Room Demos (debut EP); The Twistettes – Jilt the Jive (debut album); Viva Zapata – Fuck It, It’ll Be Fine (farewell EP); Vodun – Possession (debut album); Warpaint – Heads Up (third album); White Lung – Paradise (fourth album)

Upcoming releases

Look out for debut albums from SlowcoachesFeaturePetrol Girls and Young Romance plus second albums from The Wharves, Honeyblood and Ravioli Me Away, the debut EP from Muertos and a new single from Sacred Paws.