Category Archives: Press releases

LOUD WOMEN announces the 2018 HERcury Prize shortlist

LOUD WOMEN’s 2018 HERcury prize shortlist is a bakers’ dozen (whittled down from 30) of albums released between July 2017 and July 2018 by British-based, (self-identified) female, female-fronted and female-driven bands. Votes cast by Team LOUD WOMEN. Not much crossover here, you’ll notice, with lesser, so-called music prizes.
Winner to be announced 21 September via Facebook Live!

Without further ado, our shortlist, in alphabetical order:

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1) Argonaut – Argonaut Forever (November 2017)

“Raw and fragile and urgent in all the best ways,” to quote Loud Women’s review; Argonaut’s third album presented last year’s new material and revisited key tracks from their first two albums, serving as a liminal release before the unveiling of their revamped band line-up for 2018.

2) Bratakus – Target Grrrl (August 2017)

Probably the best Scottish sibling bass ‘n’ drum grunge album since, well, The Twistettes’ LP the year before, Bratakus are just one of many Caledonian bands rocking Loud Women’s world right now. Short sharp punk soundbites and catchy-as-hell chant-a-longs on this well-received debut, like a charmingly-gnarly hybrid of The Exploited and The Distillers.

3) Chvrches – Love is Dead (May 2018)

No inverse snobbery around these parts: Chvrches’ third Top 10 album has one firm foot in 21st Century stadium pop and the other in 80s electro, and Loud Women love it like we love our Taylor Swift and Yazoo albums. Lyrics like ‘Graves’ hint at political bite beneath the glossy perfect-pop sheen.

4) Crumbs – Mind Yr Manners (July 2017)

Debut album from this Leeds-based ‘funk post-punk disco pop party pack’ fourpiece. They’ve got the stripped-down, melodic tunes, they’ve got the best song titles (‘Stockport Syndrome’, ‘Ciggy Stardust’) and they’ve got a place in the 2018 Loud Women Fest line-up!

Surely in itself reason enough to get tickets.

5) Dream Wife – Dream Wife (January 2018)

Much-loved, tune-packed debut from this Brighton-based pop-punk trio. Unmistakably Icelandic vocals atop an irresistible noughties-new wave sound that recalls the likes of CSS and New Young Pony Club.

6) Goat Girl – Goat Girl (April 2018)

A deserved Top 30 chart placing rewarded Goat Girl’s eponymous debut, an unexpected delight of an album from a young, all-female group sounding wise beyond their years and uncategorisable to the genre-fixated. The band traverses a range of moods across 19 song-sketches held together by a deceptively lazy-hazy vocal. Did that song really recommend several methods for literally executing the Tory government? Yes. Yes it did.

7) ILL – We Are ILL (May 2018)

“A perfect storm of enigma, whimsy and controlled violence,” according to our reviewer, ILL’s debut album has only been blowing minds for two months, yet already feels somehow like it’s always existed. A genre-straddling state-of-the-nation address, with added bear growls.

8) LIINES – Stop-Start (May 2018)

‘Long-awaited’ might be a cliche, but in the case of LIINES‘ debut album, it’s a fitting description for a band that’s evolved steadily from fin-de-siecle Manc post-riot grrrl stalwarts Hooker. The tightest, heaviest rhythm section in DIY supports Zoe McVeigh’s emotional vocals and haiku-like songwriting, together conjuring an atmosphere of taut, claustrophobic menace like a UK postpunk time capsule.

9) Nervous Twitch – I Won’t Hide (November 2017)

“Catchy lo-fi garage pop” says our reviewer, and it’s the third album in only as many years from this DIY Leeds trio. One of three albums in the shortlist from Cardiff’s Odd Box Records, Nervous Twitch present 14 tracks of surfy guitar and Headcoatees-esque vocals, with a 60s girl group influence.

10) Rainbow Reservoir – Channel Hanna (February 2018)

Perfect indie-punk-power-pop with clear riot grrrl influences from this Oxford trio, fronted by Connecticut native Angela Space. The title track tells you everything you need to know, but there’s not a bad song on Rainbow Reservoir’s varied and entertaining debut.

11) Shopping – The Official Body (January 2018)

DIY queercore supergroup-success-story Shopping show no signs of running out of credit (yeah we went there) on their third album in five years. With Edwyn Collins back in the producers’ chair, the pace is faster, the bass is heavier, Rachel Aggs’ vocals have a newly-won confidence and their ability to paint propulsive-yet-plaintive pictures (ref. ‘Asking for a Friend’) is in full effect.

12) Sink Ya Teeth – Sink Ya Teeth (June 2018)

A perfect ten tracks of no wave-disco electropop on the brilliant debut album from this Norwich duo. And omg that *is* Gemma from KaitO!

13) Suggested Friends – Suggested Friends (November 2017)

Soundbites like “instantly catchy guitar work”, “strong singalong chorus” and “lush harmonies” litter our review of this self-titled debut from Suggested Friends. Something of a supergroup featuring members of Standard Fare, Chorusgirl and Wolf Girl, the band brings some of the sensibilities of those groups to this record, mixed with 80s/90s influences and an epic quality unusual for the DIY indiepop scene.


Brix & the Extricated – Part 2
Charismatic Megafauna – Semi-Regular
Colour Me Wednesday – Counting Pennies in the Afterlife
Days Fade, Nights Grow – Amelioration
The Duke Spirit – Sky is Mine
Gwenno – Le Kov
Kate Nash – Yesterday is Forever
The Kut – Valley of Thorns
Ramonas – First World Problems
Runt – Positions of Power
The Selecter – Daylight
Nadine Shah – Holiday Destination
Table Scraps – Autonomy
Wolf Alice – Visions of a Life
You Want Fox – Reverse the Curse


Matchwomen Festival – 30 June at Bow Arts

This year we celebrate 130 years since the Bow Matchwomen’s groundbreaking strike of 1888.

Speakers confirmed:
Writer and broadcaster MICHAEL ROSEN
SARA ROWBOTHAM And CATH HAYES, the ‘Rochdale Whistleblowers’ immortalised in ‘Three Girls’, on their fight for the truth.
LISSA EVANS, BAFTA-winning Father Ted director and best-selling novelist who’s Their Finest Hour is now a major film, on writing comedy, & the suffragette heroine of her latest book.
DONNA GUTHRIE of BARAC UK (Black Activists against cuts)
ANITA ANAND, BBC presenter & author of ‘Princess Sophia’ about the Indian suffragette who rocked the royal family
SARAH JACKSON, author of ‘East London Suffragettes’ and founder of the eagerly-awaited East End Women’s Museum
KAREN INGALA SMITH, founder of the femicide census ‘Counting Dead Women’
AISHA ALI-KHAN, women’s rights activist
NINA, domestic violence survivor turned facilitator of the Freedom Programme, which helps women in abusive relationships
NUT Vice President LOUISE REGAN on sexism in schools

plus a full programme of music in the evening from LOUD WOMEN bands and musicians, including:
Maddy Carty
I, Doris
Samba Sisters Collective
Steve White & The Protest Family

With no union, no money and no job security, they took action to defend one sacked girl, and ended up facing down one of the country’s most powerful employers. Their unexpected victory began a social movement from which the new union movment sprang, eventually leading to the founding of the Labour Party.

For our 6th annual festival we will take inspiration from each other, and from speakers of diverse gifts who have one thing in common: they never, ever give up!

We are thrilled this year to be just a stone’s throw from the matchfactory, right where the strike began. This is the Bow Road the matchwomen knew, and promenaded, dressed to kill and arm in arm, on their days off. Here they began the strike which led to an unprecedented, supposedly impossible victory for poor, working class, largely migrant women.

Our festival will take place in the courtyard of Bow Arts, an organisation that supports art at the heart of the local community, and celebrates its history.


Tickets from Eventbrite



10 of the 12 acts chosen for Horizons 2018 are female

HORIZONS12ALLIN1Horizons is a unique showcase of new, independent contemporary music in Wales, supporting and promoting emerging Welsh music talent to wider audiences. Nearly 300 artists applied for a place on the project, which is now in its fourth year.

A diverse list of a dozen of the finest emerging acts from across Wales, this year’s Horizons intake is notable for featuring strong, unique female musicians with 10 of the 12 made up of female solo artists and acts featuring female members. All 12 artists have a unique contemporary sound covering musical genres from indie, reggae, rock, folk and blues.

The Horizons project will be bringing music to many festivals over summer 2018 starting with a launch show at this year’s  BBC Music’s Biggest Weekend Fringe Festival in Swanseawhere Huw Stephens will showcase some of the acts live on BBC Radio Cymru. Tickets for the showcase are available from the Horizons website.

 The twelve selected Horizons artists are:

Adwaith Carmarthen trio craft brilliant bilingual songwriting; their recent single ‘Fel i Fod’ has been streamed over 100,000 times on Spotify.

Aleighcia Scott Cardiff based reggae singer with a unique style and vocals whose wowed crowds in Wales, UK and Jamaica.

Alffa  An exciting teenage two piece rock n roll band from Llanrug who are inspired by the blues.

Campfire Social A Llangollen collective whose exquisite knack for vocal harmonies and catchy instrumental textures earned them a slot at a Korean festival with Focus Wales last year.

CHROMA  Fearsome Pontypridd rock trio led by Katie Hall, one of the most charismatic frontwomen Wales has produced in quite some time and a band BBC Introducing booked for Reading and Leeds last summer.

Eadyth A unique young Welsh language electronic producer from Merthyr,  whose futuristic and empowering sound is influenced by urban, soul and electro.

Himalayas An incendiary rock four-piece from Cardiff, they have been delighting crowds at This Feeling gigs across the UK, and showcased at SXSW for BBC Introducing this March.

I See Rivers  A Tenby adopted female trio hailing originally from Norway crafting their own brand of awe-inspiring float folk. Through a studio in West Wales they found themselves drawn to and embraced by Wales.

Marged Welsh language cutting-edge pop star with evocative vocals and lyrics that chart self-discovery, she recently supported Katie B at a secret London show.

Nia Wyn  An incredible voice and songwriting talent from Conwy whose work encompasses folk, country and pop she recently worked with Paul Weller on new songs.

No Good Boyo Cwmbran four-piece whose rousing celtic folk-inspired sound has delighted crowds at the National Eisteddfod of Wales and Lorient Festival, France.

The Pitchforks 


Check out the finalists on this playlist

Petrol Girls, You Want Fox, Drunken Butterfly and more added to LOUD WOMEN Fest 3 line-up!

LOUD WOMEN Fest is back in 2018 – bigger and louder than ever! Building on the massive success of our last two Festivals, we’re expanding to two much larger venues: The Dome, Tufnell Park, and Boston Music Room

Line-up so far:

Petrol Girls
The Franklys
Grace Savage
You Want Fox
The Twistettes
Ms. Mohammed
Sister Ghost
The Menstrual Cramps
Wolf Girl
The Baby Seals
Art Trip and the Static Sound
Drunken Butterfly
Jemma Freeman and The Cosmic Something

Plus DJs including Mammory Tapes and more bands TBA – watch this space!

Stalls, zines, food, AND cake stall from Ladies of the Lock – The WI group for Camden, Kentish Town & Tufnell Park

Tickets £15 in advance from
£20 on the door
£10 NUS / JSA / over 60s

This year, we’re taking over The Dome, Tufnell Park and Boston Music Room. Using these two amazing, world-class neighbouring venues we can keep the music constant throughout the day, and make our Fest bigger and better than ever!

* Delicious hot food and cakes.

* Stalls with zines and goodies.

* The best damn day/night out of the year.

Applications from stallholders and zine sellers, other kinds of performers that we haven’t even thought of yet, and any other enquiries to

Tickets £15 in advance from
£20 on the door
£10 NUS / JSA / over 60s



Line-up for the third LOUD WOMEN Fest announced!

Here’s the news we’ve been dying to tell you … we can finally announce the first of the acts confirmed to play this year’s LOUD WOMEN Fest on 15 Sept at The Dome and Boston Music Room. Drumroll please!

Outspoken non-binary alt popstar from Blackpool.

The Franklys
Swedish-British indie-rock. “In-your-face and awesome” – DIVA.

Grace Savage
4 x UK Beatbox Champion.

Jesus & his Judgemental Father
Queer punx from Leeds.

The Twistettes
Scottish sister duo: “DIY, punk, riot grrrl, real-deal indie with a touch of psychobilly”.

All girl punk band from Brighton. “Pure uncensored female rage.”

A post-punk pop party pack from Yorkshire.

Ms. Mohammed
“Powerful, Feminist, Brilliant, Goddess-like with raging guitars & tribal drums!” – BBC Asian Network

Sister Ghost
Noisy, spectral art-rock with a pop heart.

The Menstrual Cramps
The band that made Oi cry! Winners of the 2017 LOUD WOMEN Hercury Prize.

Noisy pop four-piece based in South London who write about sexuality, gender and anxiety.

Sam Amant
Brilliant, bold, controversial, French one-woman hurricane.

The Baby Seals
Our favourite empowerpop trio from Cambridge.

Art Trip & the Static Sound
Stunning London powerpunx led by the famazing Melodie Holliday.

Jemma Freeman & the Cosmic Something
Expect high energy performances and compositions of cosmic content.

PLUS DJs including MAMMORY TAPES and more bands TBA!

Keep an eye on your inbox for a full ezine coming soon, with news of a whole heap of new regular gigs at the Hope & Anchor. In the meantime, if you want to get in touch drop us a line on, like our FB page or join our FB group.

Too Punk to be Queer – a guest blog by Siobhan Fahey

bolloxThe story of punk and the story of queer are tied so closely together.  Bollox, the UK’s biggest Queer Alt. Club night and Rebel Dykes, a film in production about punk dykes from 1980s, are coming together to celebrate the history of punk and queer at HOME in Manchester on Sunday afternoon, on February 25th called Too Punk to be Queer.

Lucy Robinson, Punk Professor from Sussex University suggests that the word Punk is from the Polari (a gay slang) and meant a young virgin homosexual.  Kath McDermott, who is on the panel discussion as part of the event, produced a brilliant BBC podcast, “Queer as Punk”.  This tells the story of how early punk took its inspiration from the queer world. The Bromley contingent, which included Siouxsie Sioux and Billy Idol, socialised in a lesbian bar in Soho. The Ranch on Dale Street in Manchester is often mentioned as the true home of Manchester punk.  It was beneath drag bar Foo Foo’s Palace and was connected to the Foo Foo’s by a door behind the bar.  The Ranch was host to bands like Buzzcocks, The Fall and The Distractions. Lesbian and gay bars offered a sort of security to young punks in the 70s and 80s, and punk was a subculture which was welcoming to young queers.

“Punk in its very essence is queer,” said Tali Clarke, a London-based filmmaker and creator of the Pride Punx float, which recently took part in London’s annual pride parade. “It’s no labels, open and accepting and very anti-homophobic and anti-racist. In its essence, LGBTQ culture strives to be accepted and commercialized in the mainstream consciousness. Punk rock and alternative culture wants the very opposite of that.”

At the Bollox and Rebel Dykes event,  Queen Zee & The Sasstones are giving a rare acoustic performance to welcome the audience into the Cinema.   Queen Zee describes their music as, “a hardcore band playing pop music, or maybe a pop band playing hardcore music – it’s somewhere between there. It’s essentially just a noisy, angry, very lame band”.

As part of the event, Bollox and Rebel Dykes are bringing to HOME in Manchester one of the first UK showings of a documentary film directed by Berlin-based filmmaker Yony Leyser.  “Queercore: How to Punk a Revolution” is a feature-length snapshot into the music and magazines that gave voice to LGBTQ outsiders — those who didn’t subscribe to the dominant gay scenes erupting in vogue dance or macho dress, for example.  The rejection of mainstream gay culture and the full-throttled embrace of an alternative to the fight for widespread acceptance are among the defining characteristics of a queer underground scene born in the 1980s with punk rock roots.

Leyser said that he was a freak, “I dressed different. I thought different. I was always rejected by society, and I also felt rejected by the gay community. I wanted to be an activist. I wanted to go to rock shows. I wanted to make art.”  “Queercore,” or “homocore,” was one of the gay punk movement that provided an answer.

While having grown up in Chicago nearly a decade after his documentary’s timeline starts, Leyser’s experience of social isolation mirrors that of his film’s protagonists, Bruce LaBruce and G.B. Jones, who in the 1980s were two twenty-somethings living in Toronto who liked rock music and embraced their queerness. But LaBruce, now a well-known filmmaker and provocateur, and Jones, one of the founders of the all-female, post-punk band Fifth Column, didn’t exactly identify with gay culture at the time, relating more to the anti-establishment call of the punk movement.

Leyser’s film is packed with archival footage and fresh interviews that educate his audience about queercore’s cultural significance. Southern California bands like Tribe 8 and Pansy Division, which would lay the groundwork to influence others like Green Day, Nirvana and Peaches, are among the groups featured in the film. These bands turned sexuality upside down, offering alternative representations to the mainstream, most noted today by transgender woman Laura Jane Grace, the lead singer of Against Me!.

“Rebel Dykes,” an upcoming documentary about punk lesbians in 1980s London. Siobhan Fahey, who is producing the film said, “I was a rebel dyke. I felt very excluded from mainstream society but also from the more mainstream lesbians who had, what we thought, were some problematic politics. They were very separatist and quite anti-men, and we just wanted to have a lot of fun, do drugs and have lots of sex and make music, which they seemed to disapprove of. So we created our own scene.”

Bollox and Rebel Dykes will be bringing together Kath McDermott,  and Susan O’Shea, who has written about Punk-Inspired Feminist Networks,  and Yony Leyser, to discuss the legacy and the future of queer punk music and subculture.

Love from Siobhan Fahey

Producer of documentary REBEL DYKES
Facebook RebelDykes
Twitter @RebelDykes
Instagram rebeldykes

LOUD WOMEN on Women’s Radio Station

wrsWe were so thrilled to be asked to create a radio show for the brand new Women’s Radio Station, launching this month! The station will feature “experiences and knowledge women want to hear about and would like to educate themselves on … fashion … health and wellbeing … beauty … how to write a book … mastering dating … how to make gourmet dishes in different cultures around the world …Tarot reading …” and, from us, news and talk and music from female and non-binary musicians!

wrsladiesSo far, LOUD WOMEN has just recorded one taster show, presented by our Cassie Fox, Kate Whaite and Lauren Murphy. The show also included a special guest appearance from the famazing Ms. Mohammed! We had loads of fun recording it, and can’t wait to get back into the studio and get broadcasting … there is just so much awesome music to play and talk about!

You can hear LOUD WOMEN’s taster show as part of the ‘teaser’ playing live on the station right now, here!

You can find out more about WRS on Facebook and the WRS website. The station is currently looking for sponsors for shows, so if you’re an organisation in a position to sponsor the LOUD WOMEN show, please do get in touch with

DUJUNRVW0AEL9SrIncidentally, we heard this week that, having only just launched, the station has already been nominated for an award! Check out the Diversity in Media nominations here.

We are thrilled to be involved in this awesome new station from the start!