Excited to bring you today the premiere of Nadeah & Beki‘s electro-pop single ‘Kombucha’ – taken from their debut EP ‘Dream Bitches’ out 6 March.
Nadeah & Beki (Aussie born Indian/Serb Nadeah Miranda and Anglo-Syrian Beki Mari) conjure up tongue-in-cheek 80s post-punk, electro pop and hip-hop in the rap-inflected video for ‘Kombucha’ (for which Beki directed).
We asked the duo, what’s the message behind ‘Nadeah & Beki’?
“Joyful, uncensored, creative expression devoid of sentimentality and intellectualism. Nadeah&Beki are about making music that that celebrates spontaneity, frivolity and irreverence – modern minimalist punk inspired by contemporary obsessions such as cleaning inboxes, veganism, health kicks, insect infestations, sex, money, hairlessness and disappearing into one’s own mind.”
And what do they hope to do with the project?
“Have a shit ton of fun and meet plenty of other like-minded, equally irreverent, playful piss-takers to collaborate with.”
LOUD WOMEN is delighted to bring you the premiere of Newcastle alt-rockers Pave the Jungle‘s new single, ‘Jelly’.
Pave the Jungle is led by songwriter Rachael Whittle, who formed the band after attending an all-female artist mentorship program coordinated by Generator. The scheme saw her collaborating with Nadine Shah and James Brown (of Pulled Apart by Horses). Rachael says of the experience:
“Collaborating with musicians of that calibre, without any pressure looming over me, started the entire process which has led to Pave The Jungle.
“For too long, I was rooted entirely in live performance. In that setting, it’s easy to skip thinking into things too deeply – in favour of just making it faster or louder! That goes for the structuring of songs as much as it does for exploring sensitive lyrical themes.
“Whatever the songs were at the time I scraped them off stage and into the studio, that’s how they remained – forever. Now, the intention is to deliberate more. Not just to view the studio as a place for exploring more daring ideas, but to make sure there’s real meaning and value attached to the end-result.”
LOUD WOMEN is delighted to bring you the first listen of SmokeFairies‘ beautiful new single, ‘Chew Your Bones’ – from their forthcoming album ‘Darkness Brings the Wonders Home’.
Jessica Davies and Katherine Blamire aka Smoke Fairies told us more about the track:
“I needed to write about the growing feeling that the world is on the verge of real change, there is the sense that there is this scary, unknown future lurking just beyond us. We’d just adopted a cat and were told to keep him inside because the Croydon Cat Killer had just struck in the area. This sanctioned belief of a mythical killer lurking the streets was terrifying and intriguing. At the same time I was reading Sarah Perry’s gothic, Victorian novel ‘The Essex Serpent’ about a fabled beast that stalks the Essex backwaters. Both these tales came together to help me finish the song.”
Delighted to present today the video premiere of Jemma Freese’s trip-hop electronica grunge soundscape, ‘Pleasure Island’.
Jemma is a keyboardist/vocalist/composer and also a part of GREAAT (Music:Leeds Gender Equality Advisory Group) which is a group of people supporting gender equality specifically focusing on Leeds and the surrounding areas.
The single is taken from the Leeds trio’s recently released album ‘The Beast in the Blueprint’. Jemma tells us:
“The album is about emotional abuse that I have been through, with this track being about trying to find oneself. “
Stop what you’re doing and listen to MeMe Detroit‘s new single – Can’t Get You Out of My Mind – an enormous indierock breakup-anthem-to-end-all-breakup-anthems, which we are excited to premiere this morning.
Be prepared to have those bad-ex triggers thoroughly yanked, but in a strengthening, fuck-you-anyway kinda way. MeMe tells us:
“I wanted to write a song that listeners can relate to but also feel empowered by. Heartbreak sucks, most people can relate but the process and journey we go through to get to the other side is a monumental testament to our strength as human beings. This song reflects that journey and growth lyrically but also musically with a crescendo into the final chorus relatable to the motions we go through when we finally break through the pain barrier and emerge stronger, empowered and free.”
Very excited to bring you today a premiere of the new single from Belfast’s finest punk band, Sister Ghost – Fake Friends. It’s an instantly on-yer-feet fist-pumping anti-anthem for those frenemies who can absolutely do one. The vitriolic lyrics resonate in NI politics, in celebrity Twitter-storms, and in your DMs. Balls to the fake friends, and hurray for Sister Ghost!
“See what happens when the Stormont Ghosts take over Parliament and change things for the better, using nothing but love and common sense.”
For the uninitiated (and those who weren’t lucky enough to catch their outstanding performance at LOUD WOMEN Fest 3 in 2018) Sister Ghost is the the band of musical powerhouse and all round superb human, Shannon Delores O’Neill. You may also know Shannon from the Girls Rock NI chapter, which she set up in 2016.
Delighted to bring you the premiere of Austel’s new video for delicious moody electro-pop single ‘Now We’re Here’ – filmed at The Cause in Tottenham.
Austel – aka Annie Rew Shaw – says of the track:
‘The song is essentially about the impact of toxic relationships and dismantling the pedestals we put people on. Learning to be comfortable with your own identity. Commanding a new-found sense of confidence and inner strength.
It also touches on the idea that we as a society have grown so distant from each other, and ourselves. In an age where communication devices are practically glued to our hands, most of us feel lonelier than ever. We’re not built to socialise through screens; we crave a warm, human connection. So Now We’re Here is also about trying to process that, and why it’s so hard to open up and be vulnerable when you’re met with ‘cold love’.’
Thrilled to bring you today the first viewing of Manchester’s The Empty Page’s video for their stunning single ‘He’s Very Good at Swimming’. Chillingly beautiful post-punk with a crashing maelstrom ending, the song is a battle cry for the #metoo generation, tackling the subject of rape and victim-blaming head-on.
This band have been lighting up our radar for several years now, and their new releases show them to be ripe for explosion into the mainstream – they are undoubtedly ones to watch.
Singer-songwriter-bassist Kel, guitarist Giz and drummer Jim had a chat with our Cassie Fox.
The video touches on some sensitive subject matter in a powerful way – how important do you feel it is to tackle topics like this head on?
Kel: I think it’s important as a songwriter to write about whatever sparks emotions in you. But it’s not really a preconceived thing, I have always written about things that make me angry or sad because music is massively an emotional outlet to me. I don’t know what I’d do without that vent to let all my hot air out. I’d probably spontaneously combust. With this particular song, I just couldn’t stop thinking about it, but I was quite worried about putting into words how I felt about it as it’s such a big issue and not something I have direct experience of. I’m just really fucking angry about it. So I probably rewrote these lyrics more than any I have ever written. I really hope I have done it justice. I am close to tears every time we play it. In terms of the video, it was very important that a woman made it, and there was nobody else I wanted to do it but Debbie [Ellis of asupremeshot] , so I’m very glad she said yes.
Jim: Purely from a male perspective, very. We need to be made aware that it’s our actions that need to change, not women’s. This ‘boys will be boys’ nonsense – what does that even mean? I can get away with behaving like an arsehole and blame it on genetics? Don’t be daft.
Giz: For me music or art is always most powerful when its got a creative thought process behind it.
How did the song itself come about? What’s the writing process like for TEP?
Kel: Our writing process kind of varies. But generally we come up with bits of musical ideas when messing around in the rehearsal room, and one of us will go, I like that, and then we’ll record it and have a jam around with it until it starts to take shape. Usually it comes from Giz because he’s just an incredible guitar player, but sometimes I spark something while I am messing around with the bass, which is what happened with this track. I always say I am not a bassist, I kind of fell into doing it because I wanted the next band I was in to be a smaller unit. So my ideas are just me messing around really. I started playing this weird bass line and Giz came up with some beautiful guitars that sort of worked and were sort of discordant at times, and it just felt good. I came up with some snippets of vocal melody, it just kind of grew organically. The verse lyrics came later, amid the aforementioned wrangling. The scream leading to the heavy bit at the end just kind of erupted out of it at some point. Songwriting is so weird. For us at least, it’s never linear. It took us a while to finish. It was important to all of us that we got it right.
TEP has been playing the DIY scene for a while now – does this work for you, or is there a bigger plan afoot?
Giz: It works because we get to go and play our music, but obviously we’d like to do more if we got the opportunity.
Kel: Erm, yeah it works I guess. The main thing for me is that we just write and play music that we are proud of. I want people to love it too and I am very happy that some people do, but as I said earlier, for me this is something I just have to do. I tried to stop at one point because being in an active DIY band takes a lot of work, sacrifice and commitment. But my life was hollow without it. It really does give life meaning for me, so that’s the crux of it. We had some help with the last single from Punk Fox records who put out the 7” and it was so great to have that support and feel like someone was fighting our corner. I’d love to have that in more of a long term way, but it would have to be for all the right reasons.
What current/new bands/musicians inspire you?
Jim: FontainesDC, FalseAdvertising, LittleSimz…
Giz: Canadian band No Joy are really good, they’ve been around for probably about ten years so not that new but they make really cool shoegazey music.
Kel: SO MANY! Impossible to list them all but I always feel inspired at gigs of smaller bands, there’s just something magic going on there, I guess it’s what I described above. A searing passion, a desire to make art that means something, an outlet. It’s not always tangible when you’re watching someone who’s been a millionaire for ages play radio hits to a shitload of drunk people in a stadium. Recent bands I’ve watched that have made my arm hairs stand on end have been Big Joanie, DesperateJournalist and Blanchard, but there really are loads. We have this band Spotify playlist that we update about once a month with new and old bands we like. I think it’s well worth a listen.
Catch The Empty Page live:
20/08 Sesh @ Polar Bear HULL
21/08 Fulford Arms YORK
31/08 The Crofter’s Right BRISTOL (with She Makes War)
20/09 The Victoria, Dalston LONDON (SWS 7th birthday, with Pussy Liquor)
28/09 The Wagon & Horses, Digbeth, BIRMINGHAM (With Desperate Journalist and more)
Delighted to bring you a very gorgeous video premiere today: the band is Just Friends and Lovers from Vienna, Austria, and the video is for single ‘Role Model’, taken from their album ‘Her Most Criminal Crimes’, out today. Dissonance, harmony, and indiepunk in the park – perfect. FFO Sonic Youth, The Raincoats